• Home
  • Paintings
  • Works on Paper
  • Sculptures
  • Exhibitions
  • CV/bio
  • Shop
  • More
    • Home
    • Paintings
    • Works on Paper
    • Sculptures
    • Exhibitions
    • CV/bio
    • Shop
  • Home
  • Paintings
  • Works on Paper
  • Sculptures
  • Exhibitions
  • CV/bio
  • Shop
ghazal Rahimi

American on The Inside, Oriental on The Outside, and/or Vice Versa

American on the Inside, Oriental on the Outside and/or Vice Versa, 2020–21; oil on linen; 60 x 86 in.; courtesy of the artist. 

    It is being somewhat like a well.

    When you drop a well bucket

    You will find restlessness deep in the well

    That she is herself

    Is more difficult than water is water

    Just as it’s difficult for water to go beyond water

    She and I are linked in mutual love

    Who once betrayed each other

    Two mirrors who reflected each other

    When I escape from her, I incessantly am forced to be her and when I confront her

    Instead, I become him . . .


    Korā Kumiko

    Ornamental Oppression

      Table Cloth, 2019, Fabric and acrylic on canvas, 40x40 inches

        The Doors of Perception series

          Complementary Reflections

            Complementary Reflections


            Complementary Reflections explores the ideas embedded in the medium of mirrors. Traditionally in Iran, mirror mosaics have been used in the ornate architecture of royal palaces and holy places. The consecutive reflections of light create a sense of allure, whether through highlighting the divinity of an atmosphere or through accentuating the glitz and glitter of a noble estate. By breaking down mirrors into smaller tiles, the reflection is also transformed into a fraction of the image, symbolically breaking down the viewer’s pride. In a modern interpretation of mirrors as a metaphoric medium, one take is that they have a voyeuristic nature. Building on the historic and contemporary takes of this mysterious medium, the methodical installation is twofold in that it embodies both a poetic message and a more sinister one. 

            These works play on complementary angles in geometry, as they are installed in the corners of the exhibition space, at 90-degree angles. The significance of geometry is ever present in Islamic patterns and architecture, and thus an important component of this choice. The mirrors on each side of the work complete the image through reflecting the fragmented pattern from the other side. Without the mirror fragments, the image on each half would not be tied together; this is another illustrative element that is present in many Persian poems, specifically one by Simin Behbahani.  Another significance of the installation lies in the security camera-esque corner placement that ties into modern day surveillance as well. 


            Reconcile

            Reconcile, 2018, Acrylic and pencil on canvas, 20x35 inches

              Two-Faced, 2018,  Oil on canvas, 48x72 inches

              Calligraphic Paintings


                Copyright © 2018 www.ghazalrahimi.com - All Rights Reserved.

                Powered by

                • Privacy Policy
                • Terms and Conditions
                • CV/bio